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Roy Conboy
Old Tia and Tio Tell America One
1: Tia
Old Tia sits down to tell,
Mexicana chica
with American lifetime,
her young stories tracking
the train clack clack clacking
under her scared feet,
her vida on viaje
from Chihuahua to Juarez,
El Paso and Los Angeles.
Her memories scrambling
on steel wheels trembling
through canyons as deep
as that life’s new leap,
through cacti arms held high,
with wind whispering
through thorn and spike:
“No te vayas, mija.
No don’t go”,
through deserts as parched
as her new idioma
twisting español into ingles.
Old Tia tracks back to tell,
her young dreams
shaken and dazzled
at new ciudades
and careening avenidas
that clambered and bustled
with suit, heel, and hustle,
with sign, shout, and rumble -
colorful and raucous
cauldron of changes
that she no puede
comprender.
No, she cannot comprehend
through dark girl ojos
con lagrimas bitter
the universal lingos
of angry and sinister -
the voices shouting,
the extraños cursing,
cold spit of derision,
tight fists of threatening,
bloody eyes full of knives -
universal lenguas
of shit and spite
aimed at the little brown girl
armored only in lonely silence.
2: Tio
Old Tio sits down to tell -
once he ran barefoot
through dusty
desert streets,
sang Mexican canciones
con his Papá
in the cooling evenings,
hid from the Villas,
hid from the Federales,
too young to comprehend
the struggle that left
the bloodied bodies
floating in the river
under feet and beaks
of the armies of crows.
Ay Old Tio tells
of the train ride,
and the border sneer,
and the crashing
cacophony
of white skins
and white words,
and the fear filled
Mexicano chico
set down in
the City of Angels,
brown manchild
walking streets
and riding Red Car
to garment district,
skid row, Union Station,
City Hall downtown.
Mexican boy
hawking news
in español y inglés -
depression headlines
and looming wartimes,
on streets alive
with nickel movies,
tattered suits,
soup kichen lines
and raucous blues,
while back at la casa
mama’s feeding hobos
who jump off of trains
looking for trabajos.
Young muchacho
sweating out man’s day
is battered by crash
of brick and glass,
autos and gas,
endless parade
at walk and run
of humans chasing
with desperation
dollar, hope, and need,
while in the storm
he dreams -
his papa’s stories
of wind and quiet,
stars and songs
in una tierra
far away.
Bio
Roy Conboy is a Latino/Irish/Indigenous writer and teacher whose writing gives voice to native song, to the voiceless, to immigrant generations. His poetic plays have been seen in the struggling black boxes on the edges of the mainstream theatre in Los Angeles, Santa Ana, San Francisco, San Antonio, Denver, and more. His poetry has been seen in Green Hills Literary Lantern, Orphic Lute, Third Estate’s Quaranzine, Freshwater Literary Journal, New American Writing, and Ethel among others, and has been featured on Latinx Lit Magazine’s podcast. In his 35 years of teaching, including three decades as the head of the Playwriting Program at San Francisco State University, he created multiple programs that gave thousands of students of diverse ethnicities, genders, and backgrounds a place to find and raise their voices.