Rose De Maria
An Enduring, Perhaps an Endearing, Fiction
Title is a quote taken from the Introduction to the book, Life on the Hyphen: The Cuban-American Way, by Gustavo Pérez Firmat, published in 1994
Kitchen table conversations with Pa.
For real? And really? And when?
My curious sounds
between scrambled
storybook words.
That time you said:
I shot myself in the face once.
See, I still have the scar,
just a scratch.
A fleshed-over indentation,
not too deep.
You said:
estaba loco de verdad,
yo siempre con la maldad,
mira me ya, milagro de la edad.
My once mischief-maker father
who used to hunt the depths
of his Jutiapa mountains,
while I’ve never even seen a gun.
You list off dangers
like old to-dos.
Rubbing your eye with piss
for pink eye.
Flying off rocks
just to fall
into rivers of lapping tongues and teeth.
You speak of
your old terrain with
fond disbelief,
practical fear you don’t really feel,
but I do
as I learn of
dust-dry dirt where I could
just slide off the mountain-top all together
to fall into the clutches of a fantasy
brought to life by rock walls,
trapped by roots too-deep to rip away
branches, sticks, splinters, thorns, leaf tips
all tossed around,
and sticking to the geometric patterns
beneath the cowboy boots I see in your pictures,
topped with sombreros and
splashed brown button-downs,
and as you continue, add and undermine the details,
I almost see it,
and I’ve described it before as…
as maybe like the Wild West.
Before I wait.
Stop and think.
No…
Price you paid,
tax I owe,
I can only imagine the nearest trope,
but nothing about who you were
and who you became
can be compressed
into that too-American
too-foreign name.
See, nothing about who you were
and what you remain
can you find in me.
My memory trapped in your second age.
Way back wanderings with Ma.
Her opening
and
widening
mouth,
mouthing
mango trees and make believes
that are as fictional as the
brown eyes rolling, rolling back,
boring their way through the past,
between the coffee trees
and bloody knees,
brown-red ponds
reflecting sand-rock,
dirt kicked streets,
and the splintered edges of memory.
Time and distance make it seem…
romantic.
A quaint, quiet, nagging dream.
How deceptive for you,
and how easy it is for me
to ignore the pain,
of when your abuelita numbed
your ears lobes
with the pinch of her fingers
and a lemon,
held you steady against
the quick stab,
of a woman who knows
far too much is temporary,
but she can leave a space,
right there, close to your brain.
Yes, she can dig a hole,
right where sound echoes,
so you can’t forget what I’ll never know.
Once, you say,
I was only a granddaughter, age nine,
who would soon be whisked off
where abuelitas don’t follow,
No one warned me.
Next thing I knew,
a tomorrow without guavas trees, pebbled knees, a whole history,
But where
I would one day grow,
without pierced ears,
with a different numb.
A haunting but hollow gnawing
Makes me ALMOST wish for it back,
but I know, I know,
we know that’s the catch,
a diluted ache that will one day pass,
but for now, I can still ask,
What was it like? Living under limon dulces?
Leaning their leaves towards saturated earth?
Where flower buds can bite, but your life would never be spring?
A home with a whole lot of nothing, but the birds could sing.
The way you describe it…
makes me mourn
that natural beautiful,
pretty but penniless but still…
speak fast!
or you’ll forget too.
Speak slow,
I can try to know.
You can try your best
until the moment
you suddenly stop,
as you falter to make sense
of a familiar,
foreign,
fading
past.
I mold my mind,
make it grow and grasp,
as your sentences slip
and stain the air.
I wrestle with the wisps
that you exhale between breaths,
to find some semblance of truth,
imagine some seeable you.
Who?
My parents, my new start,
your parted lips, your swollen heart,
imparting
tragic,
perfect,
inhospitable past,
re-making memories,
like fairy tales,
like fiction.
Bio
Rose De Maria is a poet and writer based in New York. She is a '22 graduate from Hamilton College where she majored in Creative Writing and Hispanic Studies. Rose's poetry focuses on themes like her Mexican and Guatemalan heritage, her twenty-somethings, and self-reflection. You will always find rhyme in her poems, contrasting her celebration of language with the severity of her themes. She can be found wrestling with the novel she is trying to write, eating the scrumptious food her parents cook, noting down couplets to expand on later, and wandering around her local library. You can follow her writing journey on Instagram at @rosedemariawrites.