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Margaret Elysia Garcia
2 Poems
Some Things After
Trace the outline of bright orange in the night sky
Note that this apocalypse
creates its own weather patterns
Witness the vaporizing of cows and horses
bath tubs and pipes
sacred sites
Wait for the president to declare a national emergency
Examine the fire chasers film of your studio burning
There will be no warning you will log on and see your destruction
Notice the news vans here to
exploit last night’s conflagrations
Inhale the scent of wood paneled walls and asbestos glittered ceilings
Insuffolate both the historic buildings and the singlewide trailers
Listen to your neighbors wail on newscasts
The loss of everything
Hear pundits pontificate that you should not live where you live without offering any solutions
Keep waiting on the president to declare an emergency
Watch the governor land in your debris
Make a statement
Evacuate for six weeks with a plan for one
Review the balances of nearly maxed out credit cards
Put off back to school clothes shopping for your kids
Check your bleating phone again and again while you try to eat the first meal in two days at a diner two towns over
Watch everyone else in the diner do the same
Pay for the firefighters dinner—the state only gives them an apple a granola bar a bottle of water
Let them cut in line at the grocery store thank them always
Scream at the principal who forces the kids whose houses burned to still do fire drills that autumn
Hold the child living in a tent on your lap on the playground while she cries her hamster having died that morning
Run out of money
Drink too much
Hire the lawyer whose own house burned
Exhale when the president finally declares an emergency
Watch the FEMA trucks roll in
Watch as the utility company that started the fire cuts the still living unburnt trees on the side of the road down chipping them
in case of fire
Get up at 4 am instead of 6 am to make sure your kid gets to school on time
Watch as religious groups sift through your ash
Their lord giving you no more than you can handle
Reach for your books that burned in unison you make out their shapes until you touch them the silk of their ash dissipates in your hands
Sooth at the soundbytes of support
Go through the motions
Try to act normal
Wear the same thing for three days
Stop talking to people you once admired
Hear the silence of a bird less forest
See starving bears and mountain lions rest in your backyard
Listen to the valedictorian two towns over speak of the annoyance of your town’s fire at graduation your towns graduates and families homeless in the audience
Tell the desensitized that a million acres burn
Tell them to imagine everything from Sacramento to San Francisco gone
Follow them to the horizon as they move away from you
Acknowledge that trauma is no longer trending in American Literature
Do not make fellow Californians uncomfortable
Silence your self for the sake of decorum
Slip away into another time or place
Smell the smoke in your dreams
Ambient Music for Fire Survivors
It begins. A tendril of movement, invisible unfurling.
Look out the airplane window:
high above any fires
you on the wing
the turbines benign
(except for acceleration of our destruction)
It’s quiet here. The babes lulled, no screaming, no evacuations, no heat.
Look out the airplane window:
the curl and uncurl
wafts its way
breathe deep
(there is, of course, a fire somewhere)
Other travelers napping. Playing games on phones. Texting women, not their wives.
Look out the airplane window:
nothing is burning,
not the engine, not a passion
to rise up for anything
(and save ourselves)
The smoke makes it way just to me; swirl into still stunned sinuses:
A low hum rhythm, a dull constant beat without rests.
Bio
Margaret Elysia Garcia is the author of the poetry collection the daughterland poems (El Martillo Press, 2023), of the short story collection Graft (Tolsun Books, 2022), and the poetry chapbook Burn Scars, (Lit Kit Collective, 2022). She was a reporter for Feather Publishing from 2017 until the paper folded in 2023. Her second short story collection Come and Play: Gen X Chicana Noir was recently longlisted by Yes Yes Books. She writes a history column for High Country Life, a regional magazine covering the eastern Sierra Nevada. She’s the co-editor of Red Flag Warning anthology—a collection of essays on mutual aid and communities after wildfire to be published by AK Press.