Susana Praver-Perez
3 Poems
Beauty
I was born with a birthmark
shaped like Borinquen, a brown island
floating on the sea of my belly,
a curiosity under my fingertips.
My mother always
called my birthmark
a beauty mark, turned it
from stigma to stunning.
When I was ten, a doctor
convinced my parents
this assemblage of melanin
could endanger my future.
He summarily cut
the small map from my body,
edges stitched together,
indurated, upended, and pink.
With time, the scar
became smooth as sea glass,
soft and pliable, stretching
wide as I grew.
By the time I turned twenty-two,
the scar embodied the shape
of Borinquen, suture marks
suggesting surrounding islands:
Vieques, Culebra, Mona,
Palomino, Icacos, and more—
the entire Puerto Rican archipelago
etched again in my flesh.
A Storm Named María
Before the rain sliced like knives, she arrived
like a thoughtless guest—too early—
before the yucca was boiled and the table set.
She shouted her name from the street,
up through the second-floor windows,
voice like soot streaking drapes.
The virtues of her namesake, revered
in hallowed halls, disguised
her jagged nails & snake-filled hair.
She rumbled in,
slung her muddy boots
and bloat on sofas,
poured herself into bedrooms,
bent narratives, stained
scrapbooks with mold,
became backdrop
for family photos,
became a measure of time—
Before and After
Antes y Después
After the rain hacked like machetes,
she flew away, tin roofs tied
like wings to her scapulae.
She huffed her salty breath, left
her name etched on walls and trees,
like an explosion of graffiti.
Now, when a lamppost tilts
towards the sea,
we whisper her name.
When the washer overflows
bringing back those flooded days,
we whisper her name.
When traffic lights refuse to blink
and cars jostle at street corners,
we whisper her name.
When the electric flickers and dies
again, and again, and again,
we whisper her name.
Inscribed on 4,000 gravestones, her name
is a mourner’s rosary, a nightmare
from which we can’t wake.
Yet, at daybreak, she sips café in our kitchens,
scratches at our skin to see what we’re made of.
We don't know her by Doña or Señora-–
just her naked given name.
Reasons For Returning
(after Ocean Vuong)
A rooster crows in the dark.
The first pink rays filter through palm fronds.
Un café, a cool cotton bata, mi terraza. El barrio begins to stir.
I celebrate waking while the cock thinks nothing of his cú-cu-rú-cu-cú.
I write in the peace of dawn while the world flames in war.
Words sometimes pour out of me in perfect rhyme —& it's awesome.
When you love an island, its sounds become your voice.
San Juan’s air carries oceans.
We carry on—mercy & compassion are what saves us.
I make amends for the messes I’ve made.
This life is the only one I have.
The scent of sofrito on calle Loíza makes me hungry.
My favorite telenovela is el bochinche del barrio.
The coquis’ song is my favorite lullaby.
A storm rains warm on my shoulders.
Winter & Summer are twins.
Bomba & Plena scaffold the island’s rhythms.
Mi amor, multiplied a million times, equals family.
Graffiti on broken buildings becomes Art when you squint just right.
Se Vende signs, scrawled in red paint, drip like wounds needing healing.
The electric grid is a nightmare, but we’ve learned how to dance in the dark.
I hold this fractured island in my heart, unbroken.
I made a promise.
Bio
Susana Praver-Pérez is the author of Hurricanes, Love Affairs, and Other Disasters, winner of the 2022 PEN Oakland Josephine Miles Literary Award. Her second full-length collection, Return Against the Flow (from which these poems come), is presently in search of the right publisher. Susana divides her time between Oakland, California and San Juan, Puerto Rico and writes through the lens formed in the liminal space between languages, cultures, and geographies. website: susanapraverperez.com