Alli Cruz
3 Poems
Rosemead
The announcer slurs Spanish from the T.V.
like a lost relative. Abuelo rocking in his chair,
he came here knowing one word
of English: Cardinals.
Back in Cuba, listening to every game,
he squatted like a catcher
beside the radio.
He wanted to be buried in his Cardinals tee.
I stood in the pews,
one hand clasping a book of prayers
I could not pronounce.
He used to sit on the porch
at sundown, framed by
his white plastic chair.
One night, haloed by yellow porch light,
he mumbled to himself.
I asked my father what he was saying.
He’s just speaking gibberish, my father said.
He’s not saying anything.
The Flood, Again
i.
Liv, my oldest friend, waits
on the other side of a wave.
Seaweed clings to my ankle.
Two children trickle past,
shivering into the Pacific.
The new tide disappears
both their feet.
I wade in the water to my knees,
my first outing in weeks.
The sea catches
every step.
I hear a boy asking someone to stay.
ii.
Liv’s voice finds me
before the next wave, Let it carry you.
I have trouble letting things happen.
My head plunges underneath the crest.
I am learning to be gentle, especially
with myself—here, held only
by this one quick breath.
Forever
My father had this theory that he would live forever
because from his perspective, birth to death,
he will. & it’s true: we can make a word mean anything,
so long as we control the definition, which is why
I never trusted the word “romantic,”
or anything that claims to last
forever. How you can’t trust “Sugar-Free” labels
on Tic Tacs, which are 94.5% sugar
despite FDA regulations that allow them to say, 0 grams.
Once, I bought a boy I loved breath mints in the shape
of tiny penises, thinking they were sweet enough
to communicate my affections, & also, I liked to watch him
swallowing dicks. How I could give him something
that disappears itself on the tongue: the reason I read him poems
at night in his dorm room, knowing that, asleep,
my words would run off with him to some faraway place
I could never touch. & because he would always leave
before me in the mornings, I woke up most days alone
in his bed, harboring the same feeling I got
a year later, rising from my lofted bunk
in that narrow room in New York that was mine
until it wasn’t, after which I stood in the street,
thinking of how beautiful the city was
with its people and its particular stink
that I would only miss after it was gone.
I can live in the city, but don’t want to die
in it. I want to be the sort of person who is unafraid
of death & love—in that order—because it’s sexy to be fearless
the way he insisted we sleep on the sidewalk if we missed
the last train back to campus, though we caught it, just in time,
& the whole ride home I asked him to make up a story
about the man in the purple fedora,
sitting his back to us
around four or five rows over.
He gave the man a name & an ex-girlfriend & a vice
he couldn’t swear off: a believable story
that had us laughing for miles until
the man got up at his stop,
turning to follow the freeze of the opening night,
& if I’m being honest, I never did get a clear look at his face.
Bio
Alli Cruz is a writer of Filipinx and Cuban descent. Her work has appeared in Asian American Writers' Workshop's The Margins, as well as Blackbird, Hobart, The McNeese Review, The San Franciscan, and elsewhere. She received her BA from Stanford University, where she was a Levinthal scholar. Alli currently works at Sony Pictures Television. IG: @allicruzin