Y. Núñez
Winters without Charlie
winters be mad cold
inside mami’s apartment
no calefacción
nobody to hold
no space to bring lovers home
no space to hold grief
no space to hold me
aromatherapy
will have to do, will
have to make up for
tu si ere’ fría m’ija
igual a papi
same as my mother
though, she do be trying to
break cycles, patterns
i am no different
constantly checking the stove
OCD gotta
hold of me, really
got a hold of me, really
got a hold of me
winters are colder
without drink, without Charlie
summer, fall, spring too
desde que te perdi, mi
feo pero sabroso
conga-playing love
my soul’s been displaced
seeking comfort in bodies
lands unwelcoming
where do i belong?
nobody wanna hear it
nobody sees me
take me back to you
where you held me in freestyles
‘bout falling in love
with your better half
my full-time lover, my home
my lyrics, my song
winters be mad cold
inside mami’s apartment
without his calor
memories that can only belong to you if you grew up poor in NYC
Remember when we’d empty the alcancía in the middle of the living room
How we’d sit on cold floors like obedient kindergarteners
separating coins by size and color for the packing
stuffing the coin wrappers tight
Folding the ends of the paper
So as not to let the weight of “not enough money” break it
and afterward we’d celebrate with pepsi and vanilla
stirred in prefrozen plastic cups
pretend to toast root bear before slurping the foam off the top
Just like we had seen some family do it somewhere on tv
Back when every day was do-it-yourself
rewashing Bounty paper towels because disposing them after one use
is only a suggestion, not a solution
my fam and i used to fold Bounty
place it under the faucet
and tie it with a rubber band
do it yourself filtration system
you know its working when the Bounty yellows
plays dead while you guess whats in the drinking water
then remove it to catch glitter / black pepper / metal / resting in a bed of daffodil tinted linen
Bounty is good, but a pañuelo is better
hope you’re not too attached to it
hope you didn’t lift it from your grandfather’s guayabera’s pockets
Hope your drinking water is safer than whatever you collected while it poured yesterday afternoon
Dixie cups tied with tía’s leftover fabrics hanging on the other side of grandpa’s window guards
repurpose leftover white rice
stir fry eggs, black pepper, and queso duro
call it daddy’s grand creation
and then never make it like him again
regift hand-me-downs
as the seasons change
as new cousins are born
as you no longer recognize your body in the bathroom mirror
ship it off in a tank to DR
a separate treasure box with at least one of every state quarter
in case its worth anything in the future
shining pennies & silver jewelry with ketchup and an old toothbrush
pretend the sound of the sewing machine pedal is 1000 horses galloping in a countryside you’ve never been to
drinking tampico after school
diluting it with water & ice
when a bucket under the bed becomes a letrina
perfect for avoiding walking in dark hallways
for avoiding creaky floorboards on the way to the bathroom
for avoiding waking up anyone sleeping on the couches
for un-oiled door hinges
not wanting to alert anyone you’re up past your bedtime
taking an extra handful of condiments and stashing them in the cupboard
my grandfather used to sharpen my pencils with his boxcutter
boiling water and letting it cool
saving the christmas gift bags for next year
everything revolves around reuse
repurpose
& save
flatten out aluminum foil to repack your lunch
entertain yourself with paper by making paper-boats, hats, and airplanes
and never wonder if you could ever sail or fly or why these are always white
and why the sheets are always lined in blue ink
blue keeps you in line
except on game night: nombre, apellido, flor, país,
uno, dominos, and regular cards,
show them your magic trick
using 21 cards
how you could always guess their card before it reached the middle
how creativity flows as if from nothing
Bio
Y. Núñez is a Dominican-American poet whose work moves through memory, poverty, queerness, music, love, and resistance. Her poems explore the textures of growing up shaped by popular culture and survival, attending closely to what is remembered, reclaimed, and refused. Her work has appeared in Obscura Literary and Arts Magazine, La Libreta Online, and The Communicator. She is currently at work on her first collection of poetry. For her, being Latinx is an act of ownership—holding every part of the self that might otherwise be rewritten.