david moses diaz
painting of a woman on fire (beachside)
smeared across this door
gawping through a screen to the dune
behind my house i wither like wet
faux leather gloves caught in beachgrass
chrissie watkins coded salty hands
sewn to earth with ribbon weeds
crucified by burs to be ½ couth
inseparable, and re-dedicated
a beautiful sunset otherwise
oily with beeswax i spiral
down to high tide Is it birds?
Is it plain? Is it me on fire like an orchid
at the top of a berm? a leaning minilith
stoked brighter by the cooing glimmer
skipping from horizon eyes
cinnamon with love & co-dependent
thoughts and prayers that you find
it in your heart to feed me when i refuse to cry
the saga of a curdled embrace:
serially spoiled or reheated
money on the next one
to finally solve things.
epilogue
there’s an incredible warmth
i’m covered in raised hairs like freckles;
cheesepull from drying glue
between your finger pads
my laugh’s a canvas
stapled to a scrap wood frame
& vibrates when you bounce
your nail in its camel center
deep noise like butterflies
before a bad choice
anthropomorphism may cause separation anxiety/
Bio
david moses diaz is a writer and educator from Los Angeles who holds an MFA from CSU Long Beach. His poetry has been published by Tia Chucha Press, San Pedro River Review, Querencia, Tiny Splendor, and Curious Publishing, and his freelance journalism can be found at L.A. Taco. and the Los Angeles Review of Books.
instagram: @aboxofwater