david moses diaz

painting of a woman on fire (beachside)

smeared across this door

gawping through a screen to the dune 

behind my house   i wither like wet 

faux leather gloves caught in beachgrass

chrissie watkins coded salty hands

sewn to earth with ribbon weeds

crucified by burs to be ½ couth

inseparable, and re-dedicated

a beautiful sunset  otherwise

oily with beeswax i spiral 

down to high tide  Is it birds? 

Is it plain? Is it me on fire like an orchid

at the top of a berm? a leaning minilith    

stoked brighter by the cooing glimmer 

skipping from horizon    eyes

cinnamon with love & co-dependent

thoughts and prayers   that you find 

it in your heart to feed me when i refuse to cry

the saga of a curdled embrace:

serially spoiled or reheated

money on the next one

to finally solve things. 

epilogue

there’s an incredible warmth

i’m covered in raised hairs like freckles;

cheesepull from drying glue

between your finger pads 

my laugh’s a canvas

stapled to a scrap wood frame

& vibrates when you bounce

your nail in its camel center

deep noise like butterflies 

before a bad choice

anthropomorphism may cause separation anxiety/ 

(Linked Here in full text, PDF form)

Bio

david moses diaz is a writer and educator from Los Angeles who holds an MFA from CSU Long Beach. His poetry has been published by Tia Chucha Press, San Pedro River Review, Querencia, Tiny Splendor, and Curious Publishing, and his freelance journalism can be found at L.A. Taco. and the Los Angeles Review of Books. 

instagram: @aboxofwater