Angie Cruz-Guzmán
At the Pharmacy Photo Center
the employee asks me to hold a neutral expression.
Sorry, is it possible not to smile in your photo?
My siblings hold their laughs between the chip and candy aisle.
My lips press together tightly enough to show dimple.
A 2x2 image emerges from the associate counter.
The white backdrop casts a shadow on my facial features.
Rather than a subtle half-smile, I look slightly bothered.
We paid for our watermelon sour belts and walked home.
A letter addressed to me reached the house weeks later:
Please provide further evidence of U.S. citizenship
through birth certificate or valid, undamaged passport.
My siblings received blue-jacketed books. American.
When my passport finally arrived the following month,
my grandmother’s organs had already begun to fail.
Split Depiction
after Frida Kahlo’s Los Dos Fridas, Oil on Canvas, 1939
Two women stare longingly–––
their hearts twisted
together
can’t you save them both–
you’ve interrupted something
escape found
beneath the fabric
as death sentence?
as carving promise?
A restrained tongue
liberarme
carving
liberarme
a weapon
step into the frame
with bloodied hands
/////////////////////////
Gaze past you
tear the dress
wedge between
liberarme
Bio
Angie Cruz-Guzmán is a Honduran-American essayist, poet, and eldest daughter. Her writing is driven by the fragmentation of memory, the gravity of translation, and loopholes in political policy. Angie has received support from the Community of Writers Poetry Program and the Tin House Summer Workshop.